Not a muscle in her moved. He might as well have spoken to the dead.

'Surely,' he said, 'you are not foolish enough to take what I have been telling you seriously?'

Her lips moved slowly. As it seemed, she was making an effort to speak to him.

'Louder,' he said. 'I can't hear you.'

She struggled to recover possession of herself. A faint light began to soften the dull cold stare of her eyes. In a moment more she spoke so that he could hear her.

'I never thought of the other world,' she murmured, in low dull tones, like a woman talking in her sleep.

Her mind had gone back to the day of her last memorable interview with Agnes; she was slowly recalling the confession that had escaped her, the warning words which she had spoken at that past time. Necessarily incapable of understanding this, Francis looked at her in perplexity. She went on in the same dull vacant tone, steadily following out her own train of thought, with her heedless eyes on his face, and her wandering mind far away from him.

'I said some trifling event would bring us together the next time. I was wrong. No trifling event will bring us together. I said I might be the person who told her what had become of Ferrari, if she forced me to it. Shall I feel some other influence than hers? Will he force me to it? When she sees him, shall I see him too?'

Her head sank a little; her heavy eyelids dropped slowly; she heaved a long low weary sigh. Francis put her arm in his, and made an attempt to rouse her.

'Come, Countess, you are weary and over-wrought. We have had enough talking to-night. Let me see you safe back to your hotel. Is it far from here?'

She started when he moved, and obliged her to move with him, as if he had suddenly awakened her out of a deep sleep.

'Not far,' she said faintly. 'The old hotel on the quay. My mind's in a strange state; I have forgotten the name.'

'Danieli's?'

'Yes!'

He led her on slowly. She accompanied him in silence as far as the end of the Piazzetta. There, when the full view of the moonlit Lagoon revealed itself, she stopped him as he turned towards the Riva degli Schiavoni. 'I have something to ask you. I want to wait and think.'

She recovered her lost idea, after a long pause.

'Are you going to sleep in the room to-night?' she asked.

He told her that another traveller was in possession of the room that night. 'But the manager has reserved it for me to-morrow,' he added, 'if I wish to have it.'

'No,' she said. 'You must give it up.'

'To whom?'

'To me!'

He started. 'After what I have told you, do you really wish to sleep in that room to-morrow night?'

'I must sleep in it.'

'Are you not afraid?'

'I am horribly afraid.'

'So I should have thought, after what I have observed in you to-night. Why should you take the room? you are not obliged to occupy it, unless you like.'

'I was not obliged to go to Venice, when I left America,' she answered. 'And yet I came here. I must take the room, and keep the room, until--' She broke off at those words. 'Never mind the rest,' she said. 'It doesn't interest you.'

It was useless to dispute with her. Francis changed the subject. 'We can do nothing to-night,' he said. 'I will call on you to-morrow morning, and hear what you think of it then.'

Detective Stories
Classic Literature

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